I don’t know how to fucking write.
I mean I don’t know how to write something that I’ll actually post.
I’m staring in to my head.. its 7 26 AM.. I haven’t gone to bed yet.. and I’m in a kinda dark place.
I haven’t really been able to put my finger on it.. on what’s wrong.. and still.. Jesus, wtf is wrong anyway? Maybe it’s just some kinda brain chemistry strangeness… I’m not sure that it has anything to do with outward material reality.. to be perfectly honest.. I think it’s just those inward demons.
Often when people talk about Demons it’s vice related.. this isn’t that kinda demon.. Maybe that kinda demon is one you don’t wrestle with well enough.. and so it manifests in your material reality.. confronting you that way.. but this… this is more of an inward thing that.. I wrestle with too hard for it… to materialize totally.
As I say that.. I realize.. who the hell am I kidding.. what is my life if not a materialization of the demonic! I mean lets gets serious.. my life sucks.
Hmmm…
And why does it suck? I mean.. not the surface explanations.. I mean the really deep truth, what is that? Maybe I should just sit down and pray.. maybe that would reveal it to me.
Hell.. I don’t even care what the reason is.. I’d just like to get to a better place!
Anyway… so this is what I’m feeling right now.. the thoughts that are going through my head right now.. it’s.. my sense of things right now… Accept that to explain it by writing is to be forced into some sorta of linear path to creating an image.. and I’m having a hard time expressing it really.
So.. I’m in bed.. sitting up… my cat by my site.. me sitting here with laptop in hand.. and down stairs.. that’s where the studio is.. that’s where the real shit takes place… or where the real shit should take place.. where it would take place if I could just muster the courage.
Or find the inspiration.
I’m working on a music project.. but mostly I procrastinate working on the music project.
I can’t even tell if I’m moving forward on it at all right now.. to tell you the truth.
I’m not sure about my judgement on it… I’ll tell you. Sometimes I’ll take a listen.. and I’ll think “holy crap, listen to that!!!” It’s like some amazing sonic experience.. something very special that I’ve crafted.. and some times I feel like some master artist.. making magick happen.
Other times? Yeah.. total fucking crap.. or not crap.. just.. just how do I find my way through this problem.
That’s the real gist of it.. all art seems that way to me.. .and epic battle.. you go and try and make something.. and what you make is crap.. and you go “oh shit, that’s crap” and you wonder.. what can you do to transmute it into something less crappy.. or.. why is it crap?
It’s like this puzzle you puzzle over.. and slowly you push through it.. you just keep at it.. and over time.. by a process of confronting the problems.. you eventually remove the problems.
See.. it’s all about your perception as the artist.. your aesthetic reaction.. if you hear it and think it’s great… you keep it, if you think it sucks, you change it.. for every element you work with… unless you get lazy or something.. so what happens is that you’re basically imprinting you’re aesthetic reaction onto the sonic canvas.
Now the surrealism of it is.. the way what sounds you’re attracted to, what you’re repulsed by.. has to do with your mood, your psychology.. and so in this way the music becomes like a confession of your experience… and confession that is not necessarily just the confession of the conscious mind.
And so the problems you struggle with in the work.. those are your demons.
But also interesting.. it might be slightly peculiar to music.. especially when the mix engineering bit is a part of the art it’s self.. that there are multiple paths your ear can take through the sonic experience.. and this is really one of the huge challenges in the production.
What happens is you can loose the big picture focus and dwell on these details.. that may or may not matter at all. Hell.. you might be ruining it as a result…
It’s like there’s this giant multiplicity of potential sonic experiences.. at every moment in the music.. and what happens as you’re working is.. you just get stuck on this one… spot. One pathway through the sonic art.
Err, I’ll get more specific in talking about what I’m doing now.
Basically I started out trying to do a drum and bass track.. but got lost somewhere around the way.. in any event I roughed out part of an arrangement… and now I’m going through and.. creating like.. the next level of polish… But it’s really a whole lot more then polish.
I think… I have these first kinda section nailed down pretty well.. and there needs to be a few more sections kinda worked up a little better.. and I think I need to do something with delays in a few points.. like really huge delay where it sounds like… just some giant space or explosion.
Or at least that’s the solution that comes to me.
But I’m also not sure of what’s going on in the bass frequencies.. or if the snare is hitting through hard enough.. and every time I add a detail.. I get really afraid that I’m muck something up.
So what I’ve started to do is the old “lets make each element tiny so that we can have this lush huge experience,” this is an engineering thing.. if in a given moment in the mix.. there’s just one single acoustic guitar playing.. that acoustic guitar can take up all of the frequency space of the mix.. but as soon as you start adding elements.. you have to take away frequencies from that guitar.. and give it to other stuff.. so the guitar becomes smaller and smaller…
And then.. via automation… what you’ll do is.. make that guitar sound bigger, maybe.. when there’s less stuff playing, and smaller when there’s more stuff playing.. and it’s really just a way of crafting the focus.. you don’t really experience it as getting bigger or smaller if you’re the typical music listener.
The album example I always think of for this is Slayer’s Seasons of the Abyss.. the way the drums.. when they are alone get huge.. or the guitars when they are alone get huge.. and the whole thing is like some giant brilliant symphony.. the way the elements play with one another and the way the music flows…
The Next Night:
I woke up at 7 PM “this morning.” It’s 11 40 AM, and I plan to go unconscious soon.. with any luck anyway.
Today I really didn’t get shit done… DP.. my production environment crashed a few times.. work was lost.. and I worked to bring in a whole bunch of Absynth patches.. into the project.. but kept running up against this memory limitation.. and it was around this time that I learned that my version of DP… the current version…. doesn’t support 64-bit.. it’s 32-bit.. meaning much of my ram it can’t access.. thus the memory problem.
That pissed me off.. cause it’s like hitting you’re head against a wall.. you realize.. you can’t go any further really.. or you cant go far or.. you’re going to have to fucking figure some shit out.. or wait till the next version comes out and you’ve somehow managed to get the money together for it…
Anyway.. I eventually gave up on the project and went to start a new project… and then sorta drifted back to the old project.. to take another look…
I don’t know.. I don’t if the project’s any good or not.. I don’t if it’s just ok, if it’s great.. if it’s a steaming turd.. I just don’t know.. and I guess I have to live with that.